A termék adatai:
| ISBN13: | 9798765102435 |
| ISBN10: | 8765102436 |
| Kötéstípus: | Keménykötés |
| Terjedelem: | 256 oldal |
| Méret: | 228x152 mm |
| Nyelv: | angol |
| 585 |
Témakör:
Humanism, Anti-Authoritarianism, and Literary Aesthetics
Pragmatist Stories of Progress
Kiadó: Bloomsbury Academic
Megjelenés dátuma: 2023. szeptember 7.
Kötetek száma: Hardback
Normál ár:
Kiadói listaár:
GBP 90.00
GBP 90.00
Az Ön ára:
36 817 (35 064 Ft + 5% áfa )
Kedvezmény(ek): 20% (kb. 9 204 Ft)
A kedvezmény érvényes eddig: 2024. december 31.
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Hosszú leírás:
Presenting pragmatist humanism as a form of anti-authoritarianism, this book sheds light on the contemporary significance of pragmatist aesthetics and the revival of humanism.
This interdisciplinary study shows that a mediation between pragmatist aesthetics - which emphasizes the significance of creating, making, and inventing - and Marxist materialist aesthetics - which values form - promises interesting results and that the former can learn from the latter.
In doing so, Ulf Schulenberg discusses 3 layers of the multi-layered phenomenon that is the revival of humanism: He first explains the potential of a pragmatist humanism, clarifying the contemporary significance of humanism. He then argues that pragmatist humanism is a form of anti-authoritarianism. Finally, he shows the possibility of bringing together the resurgence of humanism and a renewed interest in the work of aesthetic form by arguing that pragmatist aesthetics needs a more complex conception of form.
Establishing a transatlantic theoretical dialogue, Humanism, Anti-Authoritarianism, and Literary Aesthetics brings together literary and aesthetic theory, philosophy, and intellectual history. It discusses a broad range of authors - from Emerson, Whitman, James, Nietzsche, Proust, and Dewey to Wittgenstein, Lukács, Adorno, Jameson, Latour, and Rorty - to illuminate how humanism, pragmatism, and anti-authoritarianism are interlinked.
This interdisciplinary study shows that a mediation between pragmatist aesthetics - which emphasizes the significance of creating, making, and inventing - and Marxist materialist aesthetics - which values form - promises interesting results and that the former can learn from the latter.
In doing so, Ulf Schulenberg discusses 3 layers of the multi-layered phenomenon that is the revival of humanism: He first explains the potential of a pragmatist humanism, clarifying the contemporary significance of humanism. He then argues that pragmatist humanism is a form of anti-authoritarianism. Finally, he shows the possibility of bringing together the resurgence of humanism and a renewed interest in the work of aesthetic form by arguing that pragmatist aesthetics needs a more complex conception of form.
Establishing a transatlantic theoretical dialogue, Humanism, Anti-Authoritarianism, and Literary Aesthetics brings together literary and aesthetic theory, philosophy, and intellectual history. It discusses a broad range of authors - from Emerson, Whitman, James, Nietzsche, Proust, and Dewey to Wittgenstein, Lukács, Adorno, Jameson, Latour, and Rorty - to illuminate how humanism, pragmatism, and anti-authoritarianism are interlinked.
Tartalomjegyzék:
Introduction
1. Humanism, Anti-Authoritarianism, and Form
2. "We have no duties to anything nonhuman": Richard Rorty's Anti-Authoritarianism
3. Pragmatism, Humanism, and Form
4. ". and the practice has to speak for itself": Wittgenstein, Pragmatism, and Anti-Authoritarianism
5. Marxism, Form, and the Negation of Aesthetic Synthesis
6. "Nothing is known - only realized": Postcritique, Bruno Latour, and the Idea of a Positive Aesthetics
7. "I turned to the poets": Humanist Stories of Progress
Conclusion
Bibliography
Index
1. Humanism, Anti-Authoritarianism, and Form
2. "We have no duties to anything nonhuman": Richard Rorty's Anti-Authoritarianism
3. Pragmatism, Humanism, and Form
4. ". and the practice has to speak for itself": Wittgenstein, Pragmatism, and Anti-Authoritarianism
5. Marxism, Form, and the Negation of Aesthetic Synthesis
6. "Nothing is known - only realized": Postcritique, Bruno Latour, and the Idea of a Positive Aesthetics
7. "I turned to the poets": Humanist Stories of Progress
Conclusion
Bibliography
Index
