ISBN13: | 9781032500256 |
ISBN10: | 1032500255 |
Kötéstípus: | Keménykötés |
Terjedelem: | 232 oldal |
Méret: | 254x178 mm |
Súly: | 453 g |
Nyelv: | angol |
Illusztrációk: | 48 Illustrations, black & white; 31 Halftones, black & white; 17 Line drawings, black & white; 2 Tables, black & white |
700 |
Digitális jel-, hang- és képfeldolgozás
A művészetről általában
Média- és kommunikációs ipar
Zenetudomány általában, zenetörténet
Digitális jel-, hang- és képfeldolgozás (karitatív célú kampány)
A művészetről általában (karitatív célú kampány)
Média- és kommunikációs ipar (karitatív célú kampány)
Zenetudomány általában, zenetörténet (karitatív célú kampány)
Innovation in Music: Adjusting Perspectives
GBP 135.00
Kattintson ide a feliratkozáshoz
Innovation in Music: Adjusting Perspectives brings together cutting-edge research on new innovations in the field of music production, technology, and performance. With contributions from a host of well-respected researchers and practitioners, this volume provides crucial coverage on the relationship between innovation and rebellion.
Innovation in Music: Adjusting Perspectives brings together cutting-edge research on new innovations in the field of music production, technology, performance, and business. With contributions from a host of well-respected researchers and practitioners, this volume provides crucial coverage on the relationship between innovation and rebellion.
Including chapters on generative AI, gender equality, live music, quantisation, and composition, this book is recommended reading for music industry researchers working in a range of fields, as well as professionals interested in industry innovations.
1. On Error, Accident and Contingency in Music 2. The Streaming Curve: Streaming, The S Curve and Super-abundance 3. Missed or Postponed Innovation? The Rise and Fall (and Rise?) of Live Streamed Music Events in Italy 4. You?re Not Supposed to Launder my Music! Music as Data in the Training of Generative AI Music Models 5. ?Unconscious Rebelliousness?: The Polytonal Roles of Young Musicians in an Innovative Music Program 6. Innovation in Music: Reimagining Approaches to Gender Equality in the British Live Music Industry 7. Modes of Engagement with Classical Music: Digital Formats 8. When Chord Charts Fail: Pitfalls of Radical Reharmonisation of Jazz Standards 9. Digital Aesthetics and Transcending Lo-Fi in Alex G?s God Save the Animals 10. Space and Place: Outsiders Collecting, Curating and Sharing Insider Stories and Sounds 11. Aural Architecture: Integrating Site into Composition 12. ?We Went From ?Yes, Yes Yawl?, Tae ?Who You Talkin Tae???: Language and Authenticity in Scots Hip Hop 13. Might as Well be Swing: On the Use and Misuse of Quantisation in Hip-Hop Production 14. Innovation in Dance Music Research: A Focus on Listening 15. Creative Cyborgs: Virtual 3D Characters as Artist Identities for Musicians 16. Translating Artworks into Music: Synaesthetic Reverse-Engineering in Music Composition 17. Reframing Conflicts Between Systematic Production, Creative Production, Authorship and Ownership 18. An Innovative Music Production Model Leading to a Sustainable Hit Song: "Främling"