Innovation in Music: Innovation Pathways - Gullö, Jan-Olof; Hepworth-Sawyer, Russ; Hook, Dave;(szerk.) - Prospero Internetes Könyváruház
Kosár (0)
Kívánságlista (0)
Értesítés a kedvenc témákról
__

Innovation in Music: Innovation Pathways

 
Kiadás sorszáma: 1
Kiadó: Focal Press
Megjelenés dátuma:
 
Normál ár:
Kiadói listaár:
GBP 135.00
Becsült forint ár:
69 032 Ft (65 745 Ft + 5% áfa)
Miért becsült?
 
Az Ön ára:
55 226 (52 596 Ft + 5% áfa )
Kedvezmény(ek): 20% (kb. 13 806 Ft)
A kedvezmény érvényes eddig: 2024. december 31.
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
Kattintson ide a feliratkozáshoz
 
Beszerezhetőség:
Még nem jelent meg, de rendelhető. A megjelenéstől számított néhány héten belül megérkezik.
 
Kosárba teszek
  példányt

 
Rövid leírás:

Innovation in Music: Innovation Pathways brings together cutting-edge research on new innovations in the field of music production, technology, and performance. With contributions from a host of well-respected researchers and practitioners, this volume provides crucial coverage on the relationship between innovation and rebellion.

Hosszú leírás:

Innovation in Music: Innovation Pathways brings together cutting-edge research on new innovations in the field of music production, technology, performance, and business. With contributions from a host of well-respected researchers and practitioners, this volume provides crucial coverage on the relationship between innovation and rebellion.


Including chapters on mixing desks, digital ethics, soundscapes, immersive audio, and computer-assisted music, this book is recommended reading for music industry researchers working in a range of fields, as well as professionals interested in industry innovations.

Tartalomjegyzék:

1. Record-breaking: Palimpsestuous and Other Generative ?Record Cutting? Methodology Misadventures  2. 98% Of ?You?re Not Supposed To Do That? Innovation Attempts Fail: What Did The 2% Do?  3. I want to break free: Challenging the hegemony of traditional composition through improvisation, performance, collaboration and sound installation  4. Reinventing the Mixing Desk: A Comparative Review of the Channel Strip and the Stage Metaphor  5. Whose d(art)a is it anyway? Repositioning Data and Digital Ethics in Remote Music Collaboration Software  6. Listening as Contemplation: A reflexive thematic analysis of listening to modular-based compositions  7. Research the effect of Visual stimuli on auditory perception in music recording and listening  8. The Impossible Box: Building a DIY Groovebox on a $10 microcontroller  9. The soundscape cube system: A method for the construction of a coherent soundscape during recording and mixing  10. Digging in the Tapes: Multitrack Archives as an Emerging Educational Resource  11. Gatekeeping in the Audio Mastering Industry  12. Music Mastering and Loudness Practices Post LUFS  13. LCR: A valuable multichannel proposition for modern music production?  14. Rethinking Immersive Audio  15. Deliberate Practice and Unintended Consequences in Music Production as Practice and Pedagogy  16. Artistic Intuition and Algorithmic Prediction in Music Production  17. A Radiological Adventure: The Sonification of the Apocalypse  18. Computer-Assisted Music as means of Multidimensional Performance and Creation: A Post approach to Singularity Study 3