Innovation in Music: Technology and Creativity

Part 1: Composition and Performance  1. Rethinking the Relationships Between Space, Performance and Composition in Notated Acoustic Music  2. Timin consistency in live EDM: The ?Performable Recordings? Model  3. The Space is the Place: Interplay and Interaction in an Extreme Location  4. Composing Without Keys: The LFO as a Composition Tool  5. Exploring a Network Setup for Music Experimentation  6. Performance Mapping and Control; Enhanced Musical Connections and a Strategy to Optimise Flow-State  7. Hacking the Concert Experience: Exploring Co-Creative Audience Interaction at a Chiptune Live Performance  8. Exploring Cell-Based Dynamic Music Composition to Create Non-Linear Musical Works  9. A Deepened ?Sense of Place?: Ecologies of Sound and Vibration in Urban Settings and Domesticated Landscapes  Part 2: Technology and Innovation  10. ?Yesterday?s Charm, Today?s Precision?: Martin B. Kantola and the Design of a New ?Classic? Microphone (Nordic Audio Labs NU-100K)  11. Audio Beyond Demand: Creative Reinventions of the Broadcast Listening Experience  12. Towards a Standard for Interactive Music  13. Transforming Performance with HASGS: Research-led Artistic Practice with an Augmented Instrument  14. Waveforms as Means of Time Tinkering  15. Levelling up Chiptune: Nostalgic Retro Games Console Sounds for the ROLI Seaboard  16. Forceful Action and Interaction in Non-Haptic Music Interfaces  17. Artificial Creativity and Tools for Understanding: Music, Creative Labour and AI  18. From Digital Assistant to Digital Collaborator  19. Analyse! Development and Integration of Software-Based Tools for Musicology and Music Theory  20. A New Morphology: Strategies for Innovation in Live Electronics Performance