Interactive Sound and Music - Harrison, Lucy Ann; - Prospero Internetes Könyváruház
Kosár (0)
Kívánságlista (0)
Értesítés a kedvenc témákról
__

Interactive Sound and Music

Beyond Pressing Play
 
Kiadás sorszáma: 1
Kiadó: Focal Press
Megjelenés dátuma:
 
Normál ár:
Kiadói listaár:
GBP 135.00
Becsült forint ár:
69 032 Ft (65 745 Ft + 5% áfa)
Miért becsült?
 
Az Ön ára:
55 226 (52 596 Ft + 5% áfa )
Kedvezmény(ek): 20% (kb. 13 806 Ft)
A kedvezmény érvényes eddig: 2024. december 31.
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
Kattintson ide a feliratkozáshoz
 
Beszerezhetőség:
Még nem jelent meg, de rendelhető. A megjelenéstől számított néhány héten belül megérkezik.
 
Kosárba teszek
  példányt

 
Rövid leírás:

Interactive Sound and Music: Beyond Pressing Play provides an accessible exploration into the aesthetics of interactive audio, using examples from video games, experimental music, and participatory theatre and sound installations.

Hosszú leírás:

Interactive Sound and Music: Beyond Pressing Play provides an accessible exploration into the aesthetics of interactive audio, using examples from video games, experimental music, and participatory theatre and sound installations. Offering a practitioner?s perspective, the book places interactive sound and music within a broader aesthetic context relating to key texts and discussion within musicology and wider art practices. Each chapter takes the reader through a key debate surrounding interactive sound and music, such as:



  • Is it actually interactive and does it actually matter?

  • How do audience expectations change in an interactive space?

  • How do you compose for multiple possibilities?

  • Is interactive sound and music ever finished?

  • Where now for interactive sound and music?


Supported by a series of questions at the end of each chapter that can be used as a focus for seminar or reading group activities, this is an ideal textbook for students on audio engineering, music technology, and game audio courses, as well as an essential guide for anyone interested in interactive sound and music.

Tartalomjegyzék:

1. Is it actually interactive and does it actually matter?  2. How do audience expectations change in an interactive space?  3. How do you compose for multiple possibilities?  4. More than novelty: How can you make interaction a meaningful part of the work?  5. Is interactive sound and music ever finished?  6. Can we create an artefact of a piece of interactive audio?  7. Where now for interactive sound and music?