Interpreting Music, Engaging Culture - Walker, Katherine; - Prospero Internetes Könyváruház

Interpreting Music, Engaging Culture: An Introduction to Music Criticism
 
A termék adatai:

ISBN13:9781138585591
ISBN10:1138585599
Kötéstípus:Keménykötés
Terjedelem:202 oldal
Méret:229x152 mm
Súly:530 g
Nyelv:angol
Illusztrációk: 27 Illustrations, black & white; 26 Halftones, black & white; 1 Line drawings, black & white; 1 Tables, black & white
699
Témakör:

Interpreting Music, Engaging Culture

An Introduction to Music Criticism
 
Kiadás sorszáma: 1
Kiadó: Routledge
Megjelenés dátuma:
 
Normál ár:

Kiadói listaár:
GBP 135.00
Becsült forint ár:
70 875 Ft (67 500 Ft + 5% áfa)
Miért becsült?
 
Az Ön ára:

56 700 (54 000 Ft + 5% áfa )
Kedvezmény(ek): 20% (kb. 14 175 Ft)
A kedvezmény érvényes eddig: 2024. december 31.
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
Kattintson ide a feliratkozáshoz
 
Beszerezhetőség:

Becsült beszerzési idő: A Prosperónál jelenleg nincsen raktáron, de a kiadónál igen. Beszerzés kb. 3-5 hét..
A Prosperónál jelenleg nincsen raktáron.
Nem tudnak pontosabbat?
 
  példányt

 
Rövid leírás:

Interpreting Music, Engaging Culture: An Introduction to Music Criticism offers a clear, hands-on guide for emerging music critics that brings together aesthetics, critical theory, and practical music criticism.

Hosszú leírás:

Interpreting Music, Engaging Culture: An Introduction to Music Criticism offers a clear, hands-on guide for emerging music critics that brings together aesthetics, critical theory, and practical music criticism in an accessible format. Over the course of the book, readers develop a vocabulary and framework for criticizing music of all kinds and for various media while learning how to connect music to its cultural, social, and political contexts.


Excerpts from primary sources throughout provide a wide range of writing examples, while Chapters address the distinct challenges of describing and interpreting music for various media and in diverse formats. Along the way, the book explores questions at the core of music and its criticism, such as what constitutes a musical work and what makes a piece of music ?authentic?; it also introduces critical lenses, including feminist and queer criticism, postcolonialism and critical race theory, as well as the analysis of music in consumer culture. Addressing both classical and popular music criticism, Interpreting Music, Engaging Culture is a comprehensive and lively textbook that enables students to uncover, articulate, and analyze what makes music compelling and meaningful.

Tartalomjegyzék:

Contents


 


Introduction


A Critical Engagement with Music


 


Critical Discourse


From Critical to Criticism


What?s Not Criticism?


Why do Criticism?


Chapter Summary


Guide Questions


 


PART ONE: AESTHETIC FOUNDATIONS


 


Chapter One


What is Art? The Musical Work Problem


 


The Musical Work Concept


Getting to Know the Musical Work


Historically Informed Performance (HIP) Movement


Getting to Know Technical Aspects of the Performance


Getting to Know Interpretive Aspects of the Performance


The Musical Work and Value


The Case of Popular Music


Chapter Summary


Guide Questions


 


Chapter Two


Authenticity


 


Defining Authenticity


Folk Authenticity


Authenticity in Hip Hop


Chapter Summary


Guide Questions


 


Chapter Three


Beyond Authenticity


 


Postmodernism


Postmodern Music and Its Criticism


Postmodernism in a Post-Truth Era


Chapter Summary


Guide Questions


 


PART TWO: CRITICIZING MUSIC


 


Chapter Four


Describing Music


 


Elements of Music


Genre


Style Period


Contexts for Consumption


Chapter Summary


Guide Questions


 


Chapter Five


Interpreting Music


 


Musical Interpretation


Interpretive Strategies


Chapter Summary


Guide Questions


 


Chapter Six


Evaluating Music


 


Some Negative Criticism of Negative Criticism


Evaluation and the Work?s Purpose


The Value of the Purpose


The Critic as Educator


Chapter Summary


Guide Questions


 


PART THREE: CRITICAL LENSES


 


Chapter Seven


Feminist Music Criticism


 


Feminism and Feminisms


Why do we Need Feminism?


History of Feminisms


Feminism and Music


Feminist Criticism


Chapter Summary


Guide Questions


 


Chapter Eight


Queer Music Criticism


 


Gender Queer


Queering the Patriarchy


Music and Queer Expression


Camp isn?t Always Queer


Queer isn?t Always Camp


Queer Criticism as History and Allyship


Chapter Summary


Guide Questions


 


Chapter Nine


Postcolonialism and Critical Race Theory


 


Orientalism


Postcolonialism


Postcolonialism and Critical Race Theory


Chapter Summary


Guide Questions


 


Chapter Ten


Music and Consumer Culture


 


The Case of Popular Music\


Hybrid Advertising in Popular Music


Music and Marketing in the Age of Social Media


Chapter Summary


Guide Questions


 


PART FOUR: CRITICAL CONTEXTS


 


Chapter Eleven


Album and Track-by-Track Reviews


 


Album Review in the Age of Streaming


Track By Track Review


Writing for a Specific Publication


Chapter Summary


Guide Questions


 


Chapter Twelve


Program Notes and the Live Concert Review


 


Program Notes as Guide


Live Review


Chapter Summary


Guide Questions