Islamesque - Darke, Diana; - Prospero Internetes Könyváruház

Islamesque: The Forgotten Craftsmen Who Built Europe's Medieval Monuments
 
A termék adatai:

ISBN13:9781805260974
ISBN10:1805260979
Kötéstípus:Keménykötés
Terjedelem:480 oldal
Méret:234x156 mm
Nyelv:angol
Illusztrációk: 150 Illustrations, color
700
Témakör:

Islamesque

The Forgotten Craftsmen Who Built Europe's Medieval Monuments
 
Kiadó: C Hurst & Co Publishers Ltd
Megjelenés dátuma:
 
Normál ár:

Kiadói listaár:
GBP 25.00
Becsült forint ár:
12 075 Ft (11 500 Ft + 5% áfa)
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10 868 (10 350 Ft + 5% áfa )
Kedvezmény(ek): 10% (kb. 1 208 Ft)
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  példányt

 
Rövid leírás:

A fascinating exploration of Europe?s medieval architectural wonders?and the Muslim master-builders behind them.

Hosszú leírás:

Who really built Europe?s finest Romanesque monuments? Clergymen presiding over holy sites are credited throughout history, while highly skilled creators remain anonymous. But the buildings speak for themselves.This groundbreaking book explores the evidence embedded in medieval monasteries, churches and castles, from Mont Saint-Michel and the Leaning Tower of Pisa to Durham Cathedral and the Basilica of Santiago de Compostela. Tracing the origins of key design innovations from this pre-Gothic period?acknowledged as the essential foundation of all future European construction styles?Diana Darke sheds startling new light on the masons, carpenters and sculptors behind these masterpieces.At a time when Christendom lacked such expertise, Muslim craftsmen had advanced understanding of geometry and complex ornamentation. They dominated high-end construction in Islamic Spain, Sicily and North Africa, spreading knowledge and techniques across Western Europe. Challenging Euro-centric assumptions, Darke uncovers the profound influence of the Islamic world in ?Christian? Europe, and argues that ?Romanesque? architecture, a nineteenth-century art historians? fiction, should be recognised for what it truly is: Islamesque.



?Magnificently lively, detailed and bold, a real revolution in how we think about the development of medieval art and architecture. But it also does a fine and timely job of unsettling all kinds of assumptions about mutually impenetrable and isolated civilisations.?