Made in Thailand - Sawangchot, Viriya; (szerk.) - Prospero Internetes Könyváruház

Made in Thailand: Studies in Popular Music
 
A termék adatai:

ISBN13:9780367703110
ISBN10:0367703114
Kötéstípus:Keménykötés
Terjedelem:224 oldal
Méret:246x174 mm
Nyelv:angol
Illusztrációk: 31 Illustrations, black & white; 29 Halftones, black & white; 2 Line drawings, black & white; 1 Tables, black & white
700
Témakör:

Made in Thailand

Studies in Popular Music
 
Kiadás sorszáma: 1
Kiadó: Routledge
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Kiadói listaár:
GBP 145.00
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76 125 Ft (72 500 Ft + 5% áfa)
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60 900 (58 000 Ft + 5% áfa )
Kedvezmény(ek): 20% (kb. 15 225 Ft)
A kedvezmény érvényes eddig: 2024. december 31.
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  példányt

 
Rövid leírás:

Made in Thailand: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, culture, and musicology of twentieth and twenty-first century popular music in Thailand.

Hosszú leírás:

Made in Thailand: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, culture, and musicology of twentieth and twenty-first century popular music in Thailand. The volume consists of essays by local experts and leading scholars in Thai music and culture, and covers the major figures, styles, and social contexts of popular music in Thailand. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance.


Discussing musical development and shift of sociocultural spheres of Thai popular music among nationhood, media platforms, and identity politics from the early years to the present, these scholars explore and rethink the connections between the development of Thai popular music and politics of music genres in Thailand. Made in Thailand includes a general introduction to Thai popular music, followed by essays organized into four thematic sections: Histories, Contemporary Issues, Politics of Sound, and Region and Cultural Politics. Offering a comprehensive look at popular music phenomena in the country, Made in Thailand is an essential resource for scholars and students in the fields of popular music studies, ethnomusicology, popular musicology, Asian studies, and Thai studies.

Tartalomjegyzék:

II.


CONTENTS


Preface


 


Introduction


VIRIYA SAWANGCHOT


 


PART I : HISTORIES


1    The Amplification of Modern Music: How Does the Radio Broadcasting during 1930s - 1950s Influence Thai Popular Music?


FRANCIS NUNTASUKON


 


2    The 1950s-1970s Pleng Lukgrung: Urban Music and the Modern Gender in Thailand


JIRAWATE RUGCHAT


 


3    The Revolution of Pleng String and Politics of the 80s Generation


VIRIYA SAWANGCHOT


 


PART II : COMTEMPORARY ISSUES


4     Reconstructing Thai Musical Identity: The Adaptation of Classical Thai Music to Popular Music in Recent Decades


GREAT LEKAKUL


5    Notes on Gender and Aesthetic Expression in Thai Indie Scene


WANATAYA MONGKON and SIRIPAT NAKNAM


 


6    Pleng Lakorn: Thai Drama Series Theme Song and Changes of Popular Music Production


ATCHAREEYA SAISIN


 


7     Dancemocracy as Political Expression in the 2020 Thai Pro-democracy Movement


         ANNA LAWATTANATRAKUL


 


PART III: POLITICS OF SOUND


8   The Representations of Music Texts and the Female Voices in Haruethai Hirunya and Fon  Tanasoontorn's I Am Not Okay


KUNTHEE BANJUKEAW


9   Noise: Relistening to Non-musical Sound in Thailand


THATCHATHAM SILSUPAN


10 A Discussion on Rock Guitar Heroes in Thai Heavy Metal Music


PHAKPHOOM TIAVONGSUVAN


11 Rod-Hae: Sound System Culture and Live Music Performance in Northeastern Thailand


VIRIYA SAWANGCHOT and SIRASAR BOONMA


 


PART IV: REGION AND CULTURAL POLITICS


12 Popular Music and the (Global) South of Thailand in the Place-Making


SIRIPORN SOMBOONBOORANA


13 Song as a Resource for Cultural Translation: Tai Popular Music in the Borderlands of the Upper Mekong


WASAN PANYAGAEW


14  Morlam as Method: Isan Music and its Knowledge  


GRIDTHIYA GAWEEWONG and ARTHIT MULSAN


 


CODA


15 Thai Pop and Vidding of Thai Television Dramas by Transcultural Fans in China


 BRENDA CHAN


AFTERWORD


 ?Political Music Isn't Necessarily Boring: A Conversation with Pisitakan Kuntalang          


     


VIRIYA SAWANGCHOT