Monsieur Francisque?s Touring Troupe and Anglo-French Theatrical Culture, 1690-1770 - Kenny, Robert V.; - Prospero Internetes Könyváruház

Monsieur Francisque?s Touring Troupe and Anglo-French Theatrical Culture, 1690-1770
 
A termék adatai:

ISBN13:9781837652426
ISBN10:1837652422
Kötéstípus:Keménykötés
Terjedelem:416 oldal
Méret:234x156 mm
Súly:666 g
Nyelv:angol
Illusztrációk: 12 b/w illus.
700
Témakör:

Monsieur Francisque?s Touring Troupe and Anglo-French Theatrical Culture, 1690-1770

 
Kiadó: Boydell Press
Megjelenés dátuma:
Kötetek száma: Print PDF
 
Normál ár:

Kiadói listaár:
GBP 115.00
Becsült forint ár:
58 201 Ft (55 430 Ft + 5% áfa)
Miért becsült?
 
Beszerezhetőség:

Még nem jelent meg, de rendelhető. A megjelenéstől számított néhány héten belül megérkezik.
 
  példányt

 
Rövid leírás:

This deeply accomplished and lively monograph charts the career of a travelling French actor-manager whose impact and significance have been overlooked.

Hosszú leírás:
This deeply accomplished and lively monograph charts the career of a travelling French actor-manager whose impact and significance have been overlooked.


The "inimitable Monsieur Francisque" (François Moylin, c. 1690-1770), was an extraordinary actor-manager and key figure in the early eighteenth-century theatre world of both England and France. Leader of a family of gifted performers, including his niece, the famous dancer-choreographer Marie Sallé, he took them to every corner of France and beyond, playing before Louis XV as well as George I and II of England.

However, despite his fame among his contemporaries, Francisque's career has been largely overlooked. Robert V. Kenny resurrects Moylin from the footnotes of theatre history with this detailed case-study of an entrepreneurial actor-manager, his troupe and their repertory. Following them from the Paris fairs to the courts of Europe, via one of the worst riots in English theatre history, the book showcases the giddying range of activities and performances undertaken by this family and their associates.

Through the careful piecing together of diverse and fragmentary historical records, Kenny reveals the crucial role played by Francisque and his troupe in the conflict between Parisian fairground players and the established theatres, stressing Francisque's major contribution to the development of opéra-comique. This book not only revives Moylin's legacy but enriches our understanding of cross-cultural theatrical exchanges in eighteenth-century Europe.