Musical Collaboration Between Indigenous and Non-Indigenous People in Australia - Barney, Katelyn; (szerk.) - Prospero Internetes Könyváruház

 
A termék adatai:

ISBN13:9781032265063
ISBN10:103226506X
Kötéstípus:Puhakötés
Terjedelem:174 oldal
Méret:229x152 mm
Súly:322 g
Nyelv:angol
Illusztrációk: 6 Illustrations, black & white; 5 Halftones, black & white; 1 Line drawings, black & white
682
Témakör:

Musical Collaboration Between Indigenous and Non-Indigenous People in Australia

Exchanges in The Third Space
 
Sorozatcím: SOAS Studies in Music;
Kiadás sorszáma: 1
Kiadó: Routledge
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Kiadói listaár:
GBP 39.99
Becsült forint ár:
20 448 Ft (19 475 Ft + 5% áfa)
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16 359 (15 580 Ft + 5% áfa )
Kedvezmény(ek): 20% (kb. 4 090 Ft)
A kedvezmény érvényes eddig: 2024. december 31.
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
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  példányt

 
Rövid leírás:

This book demonstrates the processes of intercultural musical collaboration and how these processes contribute to facilitating positive relationships between Indigenous and non-Indigenous peoples in Australia.

Hosszú leírás:

This book demonstrates the processes of intercultural musical collaboration and how these processes contribute to facilitating positive relationships between Indigenous and non-Indigenous peoples in Australia. Each of the chapters in this edited collection examines specific examples in diverse contexts, and reflects on key issues that underpin musical exchanges, including the benefits and challenges of intercultural music making. The collection demonstrates how these musical collaborations allow Indigenous and non-Indigenous people to work together, to learn from each other, and to improve and strengthen their relationships. The metaphor of the ?third space? of intercultural music making is interwoven in different ways throughout this volume. While focusing on Indigenous Australian/non-Indigenous intercultural musical collaboration, the book will be of interest globally as a resource for scholars and postgraduate students exploring intercultural musical communication in countries with histories of colonisation, such as New Zealand and Canada.

Tartalomjegyzék:

Introduction
KATELYN BARNEY


1 Black fulla, White fulla: Can there be a truly balanced collaboration?
LOU BENNETT


2 Rock band: A third, brave space for Indigenous language
CLINT BRACKNELL


3 Theorising ganma: Yothu Yindi and third-space musical collaborations
AARON CORN


4 Call to Yawahr: Opening a third space for collaborative music making between Indigenous and non-Indigenous communities
CANDACE KRUGER


5 One mob dreaming: Cultivating a working model for song-sharing between Koori and non-Koori children in the Bega Valley, New South Wales
ROBIN RYAN CRUSE AND UNCLE OSSIE CRUSE


6 Indigenous music and cultural engagement: Listening with our ears and hearts
DAWN JOSEPH AND YIN PARADIES


7 Finding solid ground: Industry collaboration and mentoring Aboriginal and Torres Strait Islander students in secondary schools
THOMAS FIENBERG AND DEBBIE HIGGISON


8 Adventures in the third space of intra-Indigenous recording projects: Is border-crossing a bridge or a barrier?
KARL NEUENFELDT


9 In the borders and borderlands of coloniality with Hél?ne Cixous and Gloria Anzaldúa: An ethnomusicological theory-story of intercultural music-making
ELIZABETH MACKINLA