Occupied Words - Pollin-Galay, Hannah; - Prospero Internetes Könyváruház

Occupied Words: What the Holocaust Did to Yiddish
 
A termék adatai:

ISBN13:9781512825909
ISBN10:1512825905
Kötéstípus:Keménykötés
Terjedelem:312 oldal
Méret:229x152 mm
Súly:636 g
Nyelv:angol
Illusztrációk: 11 b/w h/t
667
Témakör:

Occupied Words

What the Holocaust Did to Yiddish
 
Kiadó: University of Pennsylvania Press
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Kötetek száma: Print PDF
 
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Hosszú leírás:

How Yiddish changed to express and memorialize the trauma of the Holocaust

The Holocaust radically altered the way many East European Jews spoke Yiddish. Finding prewar language incapable of describing the imprisonment, death, and dehumanization of the Shoah, prisoners added or reinvented thousands of Yiddish words and phrases to describe their new reality. These crass, witty, and sometimes beautiful Yiddish words ? Khurbn Yiddish, or ?Yiddish of the Holocaust? ? puzzled and intrigued the East European Jews who were experiencing the metamorphosis of their own tongue in real time. Sensing that Khurbn Yiddish words harbored profound truths about what Jews endured during the Holocaust, some Yiddish speakers threw themselves into compiling dictionaries and glossaries to document and analyze these new words. Others incorporated Khurbn Yiddish into their poetry and prose. In Occupied Words, Hannah Pollin-Galay explores Khurbn Yiddish as a form of Holocaust memory and as a testament to the sensation of speech under genocidal conditions.

Occupied Words investigates Khurbn Yiddish through the lenses of cultural history, philology, and literary interpretation. Analyzing fragments of language consciousness left behind from the camps and ghettos alongside the postwar journeys of three intellectuals?Nachman Blumental, Israel Kaplan and Elye Spivak?Pollin-Galay seeks to understand why people chose Yiddish lexicography as a means of witnessing the Holocaust. She then turns to the Khurbn Yiddish words themselves, focusing on terms related to theft, the German-Yiddish encounter and the erotic female body. Here, the author unearths new perspectives on how Jews experienced daily life under Nazi occupation, while raising questions about language and victimhood. Lastly, the book explores how writers turned ghetto and camp slang into art?highlighting the poetry and fiction of K. Tzetnik (Yehiel Di-Nur) and Chava Rosenfarb. Ultimately, Occupied Words speaks to broader debates about cultural genocide, asking how we might rethink the concept of genocide through the framework of language.



"Occupied Words masterfully assesses how the meaning of the words we use changes based on context...The book emphasizes that we must bear witness to the events happening in the world around us in whatever way we are able. They should impact how we speak, how we act, how we interact with one another. We are changed, whether we like it or not, and our language reflects that."