ISBN13: | 9781032457055 |
ISBN10: | 1032457058 |
Kötéstípus: | Keménykötés |
Terjedelem: | 220 oldal |
Méret: | 234x156 mm |
Nyelv: | angol |
Illusztrációk: | 5 Illustrations, black & white; 5 Halftones, black & white |
700 |
Philosophy, Analytic Aesthetics, and Theater
GBP 135.00
Kattintson ide a feliratkozáshoz
Bringing together the latest research and perspectives in the fields of analytic philosophy and theatre studies, this collection of essays provides a reflection of how these two fields have emerged and intersected in the 21st century.
Bringing together the latest research and perspectives in the fields of analytic philosophy and theater studies, this collection of essays provides a reflection of how these two fields have emerged and intersected in the twenty-first century.
With contributions from leading scholars in the field and emerging voices, Philosophy, Analytic Aesthetics, and Theater provides new insights into the field of philosophy and theater. Structured in three parts, Part I, "Epistemology," explores perspectives on theater as a knowledge-making system, the conventions of theater, and reflects on current practice that engages with aesthetics. Part II, "Politics and Ethics," draws on an evaluation of the ways in which theater and democracy interact, as well as the current conversations around ethical issues within the performance space. And finally, Part III, "Theater and Other Arts," takes a look at the ways in which philosophy has interacted with the art of dance, musical theater, and film, looking beyond the traditional confines of actors, stage, and audience.
Edited by Michael Y. Bennett, these essays introduce the latest research in philosophy and theater in an accessible and engaging manner. The book is ideal for advanced undergraduate and postgraduate students, scholars of theater and performance studies, and philosophy students and scholars with an interest in theater.
Part 1 Epistemology 1. What Theatre Knows: From Ludwig Wittgenstein to Richard Foreman 2. Philosophy Learns from Performance: Imaginative Resistance 3. Immersive Theatre, Affectivity and Self?Understanding 4. Origins of Theatrical Conventions 5. Theatrical Works, Theatrical Performances, and Performance Practice Part 2 Politics and Ethics 6. Theater as Democracy 7. Caring for the Ignorant: Kent Monkman?s Philosophical Theatre 8. Kant, Ibsen, and the Categorical Imperative 9. Radical Empathy: The Ethics of Enacting the Ethnic Other Part 3 Theater and Other Arts 10. Dance in Musical Theater: Moving Beyond Divertissement 11. Spotlight on the Machinist 12. Film as Philosophy of Theater: The Case of Birdman and the Mind of an Actor 13. What Theatre Can and Can?t Do: Playing off Chatman