A termék adatai:
ISBN13: | 9781350370982 |
ISBN10: | 1350370983 |
Kötéstípus: | Keménykötés |
Terjedelem: | 208 oldal |
Méret: | 234x156 mm |
Nyelv: | angol |
672 |
Témakör:
1945 utáni elbeszélő irodalom
Irodalomelmélet
Epika, elbeszélő irodalom
Életrajzok, levelezések, naplók
1945 utáni elbeszélő irodalom (karitatív célú kampány)
Irodalomelmélet (karitatív célú kampány)
Epika, elbeszélő irodalom (karitatív célú kampány)
Életrajzok, levelezések, naplók (karitatív célú kampány)
Rachel Cusk
Contemporary Critical Perspectives
Sorozatcím:
Contemporary Critical Perspectives;
Kiadó: Bloomsbury Academic
Megjelenés dátuma: 2024. augusztus 22.
Kötetek száma: Hardback
Normál ár:
Kiadói listaár:
GBP 85.00
GBP 85.00
Az Ön ára:
35 700 (34 000 Ft + 5% áfa )
Kedvezmény(ek): 20% (kb. 8 925 Ft)
A kedvezmény érvényes eddig: 2024. december 31.
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
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Hosszú leírás:
Rachel Cusk is one of the most critically acclaimed and controversial contemporary British authors. Her diverse body of work offers a striking portrait of trends in 21st-century literature, and the history of Cusk's literary output is one of experimentation and a desire to push against established cultural models.
Rachel Cusk: Contemporary Critical Perspectives is the first critical guide to Cusk's work, spanning novels including Saving Agnes, A Country Life, and Second Place, her 'autofictional' Outline trilogy, and her nonfiction A Life's Work, The Last Supper, Aftermath and the Coventry essays. Rigorous and wide-ranging, this book provides an accessible and lucid introduction to Cusk's work, exploring themes of gender relations, class dynamics, maternal identity and creative freedom. The collection concludes with an in-depth interview with Cusk, conducted by Merve Emre, reflecting on her influences, writing and experiences.
Mapping the formal and stylistic shift across her career and locating them within their specific contexts, this collection provides a crucial analysis of Cusk's influences, politics, and literary techniques that speak to many of the most pressing issues in contemporary literature.
Rachel Cusk: Contemporary Critical Perspectives is the first critical guide to Cusk's work, spanning novels including Saving Agnes, A Country Life, and Second Place, her 'autofictional' Outline trilogy, and her nonfiction A Life's Work, The Last Supper, Aftermath and the Coventry essays. Rigorous and wide-ranging, this book provides an accessible and lucid introduction to Cusk's work, exploring themes of gender relations, class dynamics, maternal identity and creative freedom. The collection concludes with an in-depth interview with Cusk, conducted by Merve Emre, reflecting on her influences, writing and experiences.
Mapping the formal and stylistic shift across her career and locating them within their specific contexts, this collection provides a crucial analysis of Cusk's influences, politics, and literary techniques that speak to many of the most pressing issues in contemporary literature.
Tartalomjegyzék:
FOREWORD
Clare Hanson (University of Southampton)
INTRODUCTION
Roberta Garrett (University of East London) and Liam Harrison (University of the West of England)
CHAPTER ONE
Life Style: Rachel Cusk and the Critique of Minimalism
Pieter Vermeulen (University of Leuven)
CHAPTER TWO
Mother Courage and Mother-Shaming: Rachel Cusk's Contribution to Maternal Feminism
Roberta Garrett (University of East London)
CHAPTER THREE
Serial Metaphors: Revising and Rewriting in Rachel Cusk's Life Narratives
Ricarda Menn (KWI Essen)
CHAPTER FOUR
Perceptions of Failure in Rachel Cusk's Saving Agnes and Second Place
Sonja Pyykkö (Freie Universität Berlin)
CHAPTER FIVE
'Some things are artificial and some are authentic': Rachel Cusk's Depth Perception
Daniel Lea (Oxford Brookes University)
CHAPTER SIX
Autofictional Experiments and Serial Aesthetics in Rachel Cusk's OUTLINE Trilogy
Melissa Schuh (CAU Kiel)
CHAPTER SEVEN
Being Sent to Coventry: Silence, Cruelty and Rachel Cusk's Discrepant Style
Liam Harrison (University of the West of England)
AFTERWORD
Second Text: Biography, Intertextuality, and Art in Second Place
Peter Childs (Newman University)
INTERVIEW
An Interview with Rachel Cusk
Merve Emre (Wesleyan University)
REFERENCES
INDEX
Clare Hanson (University of Southampton)
INTRODUCTION
Roberta Garrett (University of East London) and Liam Harrison (University of the West of England)
CHAPTER ONE
Life Style: Rachel Cusk and the Critique of Minimalism
Pieter Vermeulen (University of Leuven)
CHAPTER TWO
Mother Courage and Mother-Shaming: Rachel Cusk's Contribution to Maternal Feminism
Roberta Garrett (University of East London)
CHAPTER THREE
Serial Metaphors: Revising and Rewriting in Rachel Cusk's Life Narratives
Ricarda Menn (KWI Essen)
CHAPTER FOUR
Perceptions of Failure in Rachel Cusk's Saving Agnes and Second Place
Sonja Pyykkö (Freie Universität Berlin)
CHAPTER FIVE
'Some things are artificial and some are authentic': Rachel Cusk's Depth Perception
Daniel Lea (Oxford Brookes University)
CHAPTER SIX
Autofictional Experiments and Serial Aesthetics in Rachel Cusk's OUTLINE Trilogy
Melissa Schuh (CAU Kiel)
CHAPTER SEVEN
Being Sent to Coventry: Silence, Cruelty and Rachel Cusk's Discrepant Style
Liam Harrison (University of the West of England)
AFTERWORD
Second Text: Biography, Intertextuality, and Art in Second Place
Peter Childs (Newman University)
INTERVIEW
An Interview with Rachel Cusk
Merve Emre (Wesleyan University)
REFERENCES
INDEX