Reconstructing Exhibitions in Art Institutions
Sorozatcím: Routledge Research in Art Museums and Exhibitions;
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20 238 Ft (19 275 Ft + 5% áfa)
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- Discounted price 18 215 Ft (17 348 Ft + 5% áfa)
20 238 Ft
Beszerezhetőség
Becsült beszerzési idő: A Prosperónál jelenleg nincsen raktáron, de a kiadónál igen. Beszerzés kb. 3-5 hét..
A Prosperónál jelenleg nincsen raktáron.
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A beszerzés időigényét az eddigi tapasztalatokra alapozva adjuk meg. Azért becsült, mert a terméket külföldről hozzuk be, így a kiadó kiszolgálásának pillanatnyi gyorsaságától is függ. A megadottnál gyorsabb és lassabb szállítás is elképzelhető, de mindent megteszünk, hogy Ön a lehető leghamarabb jusson hozzá a termékhez.
A termék adatai:
- Kiadás sorszáma 1
- Kiadó Routledge
- Megjelenés dátuma 2024. október 7.
- ISBN 9781032524733
- Kötéstípus Puhakötés
- Terjedelem242 oldal
- Méret 234x156 mm
- Súly 380 g
- Nyelv angol
- Illusztrációk 46 Illustrations, black & white; 46 Halftones, black & white 660
Kategóriák
Rövid leírás:
Reconstructing Exhibitions in Art Institutions spans exhibition histories as anti-apartheid activism within South African community arts; Civil Rights movements and Black communities in Baltimore; reframing feminisms in USA; revisiting Cold War Modernisms in Eastern Europe among other themes.
TöbbHosszú leírás:
Reconstructing Exhibitions in Art Institutions spans exhibition histories as anti-apartheid activism within South African community arts; collectivities and trade unions in Argentina; Civil Rights movements and Black communities in Baltimore; institutional self-critique within the neoliberal museum; reframing feminisms in USA; and revisiting Cold War Modernisms in Eastern Europe among other themes.
An interdisciplinary project with a global reach, this edited volume considers the theme of exhibitions as political resistance as well as cultural critique from global perspectives including South Africa, Latin America, Eastern Europe, USA and West Europe. The book includes contributions by ten authors from the fields of art history, social sciences, anthropology, museum studies, provenance research, curating and exhibition histories. The edited volume finally examines exhibition reconstructions both as a symptom of advanced capitalism, geopolitical dynamics and social uprisings, and as a critique of imperial and capitalist violence. Art historical areas covered in the book include conceptualism, minimalism, modern painting, global modernisms, archives and community arts.
This volume will be of interest to a wide range of audiences including art historians, curators, gallery studies and museum professionals, and also to scholars and students from the fields of anthropology, ethnography, sociology, and history. It would also appeal to a general public with an interest in modern and contemporary art exhibitions.
TöbbTartalomjegyzék:
Introduction: Reconstructing Exhibitions: Global Perspectives on Art Institutions, Communities and Activism; Part 1. Institutions; 1. When Competition Becomes Form: Exhibition Reconstructions and the Limits of Institutional Self-Critique; 2. Other Primary Structures and the Theatricality of Re-Staging Exhibitions; Part 2. Communities; 3 The "Remembering Exhibitions" of South African Community Arts: Re-appraising the Art of Resistance (Re-opening the archives of anti-apartheid art); 4. The Reflexive Riff: Revisiting Contemporary Negro Art at the Baltimore Museum of Art; 5. The Making of Tucumán Arde (1968), 1997-2012; Part 3. Restaging Modernisms; 6. 15 Polish Painters (MoMA, 1961) Fifty-Five Years Later? 7. Provenance Research: A New Perspective on Exhibitions from the Past; 8. Copy as Container, Original as Content: "The Making of Modern Art" at the Van Abbemuseum; Part 4. Counter-narratives; 9. Reading Between the Lines: Locating the politics of Lucy Lippard?s Six Years; 10. Reconstructing Exhibitions in "Times of Interregnum"
Több
