Rethinking Displays of Chinese Contemporary Art - Gladston, Paul; Howarth-Gladston, Lynne; Tsong-zung Chang , Johnson; Kuo, Jason; (szerk.) - Prospero Internetes Könyváruház

Rethinking Displays of Chinese Contemporary Art: Cultural Diversity and Tradition
 
A termék adatai:

ISBN13:9789819729050
ISBN10:981972905X
Kötéstípus:Keménykötés
Terjedelem:244 oldal
Méret:210x148 mm
Nyelv:angol
Illusztrációk: 2 Illustrations, black & white; 63 Illustrations, color
672
Témakör:

Rethinking Displays of Chinese Contemporary Art

Cultural Diversity and Tradition
 
Kiadás sorszáma: 2024
Kiadó: Palgrave Macmillan
Megjelenés dátuma:
Kötetek száma: 1 pieces, Book
 
Normál ár:

Kiadói listaár:
EUR 128.39
Becsült forint ár:
55 811 Ft (53 153 Ft + 5% áfa)
Miért becsült?
 
Az Ön ára:

44 649 (42 522 Ft + 5% áfa )
Kedvezmény(ek): 20% (kb. 11 162 Ft)
A kedvezmény érvényes eddig: 2024. december 31.
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
Kattintson ide a feliratkozáshoz
 
Beszerezhetőség:

Becsült beszerzési idő: A Prosperónál jelenleg nincsen raktáron, de a kiadónál igen. Beszerzés kb. 3-5 hét..
A Prosperónál jelenleg nincsen raktáron.
Nem tudnak pontosabbat?
 
  példányt

 
Rövid leírás:

This is the first edited collection to critically address in its entirety questions related to the displaying of Chinese contemporary art. It includes chapters by scholars and cultural workers from diverse backgrounds involved in the interpretation of artistic as well as curatorial discourses and practices. Each of those chapters gives a detailed account of a particular, socio-culturally informed, approach to the making and showing of Chinese art - including in relation to queer identities, transculturality, the use of social media, artivism, social engagement, institutional critique, and neo-Confucian aesthetics. Together they present a vital intervention with established curatorship amidst the intensely interconnected and increasingly multi-polar cultural conditionalities of early 21st-century contemporaneity.



Paul Gladston is Judith Neilson Chair Professor of Contemporary Art, University of New South Wales, Sydney, Australia.



Lynne Howarth-Gladston is an artist, curator, and scholar. She has exhibited her painting internationally, including in the People?s Republic of China, the UK, and Australia.



Johnson Tsong-zung Chang is a curator, director of the Hanart TZ Gallery in Hong Kong, and guest professor at the China Academy of Art, Hangzhou.



Jason Kuo is Professor of Art History and Archaeology, University of Maryland, College Park, MD, US.

Hosszú leírás:
This is the first edited collection to critically address in its entirety questions related to the displaying of Chinese contemporary art. It includes chapters by scholars and cultural workers from diverse backgrounds involved in the interpretation of artistic as well as curatorial discourses and practices. Each of those chapters gives a detailed account of a particular, socio-culturally informed, approach to the making and showing of Chinese art - including in relation to queer identities, transculturality, the use of social media, artivism, social engagement, institutional critique, and neo-Confucian aesthetics. Together they present a vital intervention with established curatorship amidst the intensely interconnected and increasingly multi-polar cultural conditionalities of early 21st-century contemporaneity.
Tartalomjegyzék:
Chapter 1: Introduction.- Chapter 2: Aestheticized Display in China?s Three Cosmological Realms.- Chapter 3: Performing Artivism: Social Engaged Queer Art in China.- Chapter 4: Curating Global Contemporary Chinese-Ink Art: Zheng Chongbin?s Pictorial and Digital Ink Works in Western Art Institutional Contexts.- Chapter 5: Thinking (and Practice) (In-/)Outside the (Yellow) Box: toward the displaying of visual-cultural poly/cacophony.- Chapter 6: Pharmakon ? socially engaged art and online hybrid display in Hong Kong.- Chapter 7: Curating Human Togetherness: Artivism and the Remaking of People and Place in Mainland China.- Chapter 8: Beyond Existing Approaches to the Displaying of Chinese Art: Three Case Studies.