A termék adatai:
| ISBN13: | 9781350321540 |
| ISBN10: | 13503215411 |
| Kötéstípus: | Puhakötés |
| Terjedelem: | oldal |
| Méret: | 234x156 mm |
| Nyelv: | angol |
| Illusztrációk: | 3 bw illus |
| 700 |
Témakör:
Roman Ingarden?s Aesthetics and Ontology
Contemporary Readings
Kiadó: Bloomsbury Academic
Megjelenés dátuma: 2025. március 20.
Kötetek száma: Paperback
Normál ár:
Kiadói listaár:
GBP 28.99
GBP 28.99
Az Ön ára:
13 241 (12 611 Ft + 5% áfa )
Kedvezmény(ek): 13% (kb. 1 978 Ft)
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
Kattintson ide a feliratkozáshoz
Kattintson ide a feliratkozáshoz
Beszerezhetőség:
Még nem jelent meg, de rendelhető. A megjelenéstől számított néhány héten belül megérkezik.
Hosszú leírás:
This volume explores the work of Polish phenomenologist Roman Ingarden (1893-1970) with respect to his ontology, epistemology and aesthetics. An outstanding student of Edmund Husserl, it offers a unique tribute to one of the most important figures in contemporary philosophy.
Leszek Sosnowski and Natalia Anna Michna introduce a team of renowned scholars to present new and timely readings of Ingarden's thought, placing his philosophy in a broader historical and cultural context. In doing so, they offer a cutting edge reflection on the relevance, refinement and depth of Ingarden's theory. Chapters are not only retrospective, but also set out the present and future development of philosophy inspired by his works.
Reinvigorating the debate about Ingarden's phenomenological legacy and its relevance for contemporary thought, this collection of essays guides us through his place in the history of philosophy and presents new perspectives on selected aspects of his theory.
Leszek Sosnowski and Natalia Anna Michna introduce a team of renowned scholars to present new and timely readings of Ingarden's thought, placing his philosophy in a broader historical and cultural context. In doing so, they offer a cutting edge reflection on the relevance, refinement and depth of Ingarden's theory. Chapters are not only retrospective, but also set out the present and future development of philosophy inspired by his works.
Reinvigorating the debate about Ingarden's phenomenological legacy and its relevance for contemporary thought, this collection of essays guides us through his place in the history of philosophy and presents new perspectives on selected aspects of his theory.
Tartalomjegyzék:
Introduction, Roman Ingarden: The Life of a Philosophical Work,Natalia Anna Michna (Jagiellonian University, Poland) and Leszek Sosnowski (Jagiellonian University, Poland)
Part I: Ontology
1. Modes and Moments in Ingarden's Ontology, Peter Simons (Trinity College Dublin, Ireland)
2. Logical Modalities, Existential Moments, and Modes of Being: Some Reflections on Ingarden's Existential Ontology, Jan Wolenski (Jagiellonian University, Poland)
3. Questions Concerning Reality: Ingarden's Erotetic Path Towards Realism, Giuditta Corbella (Universit? Cattolica del Sacro Cuore, Italy)
4. 'Sound and/or tones? Scruton, Ingarden (. and Levinson) on musical aesthetics and ontology', Edward M. Swiderski (University of Fribourg, Switzerland)
Part II: Aesthetics
5. Lipps, Stein and Ingarden on Empathy and the Coexperiencing of Value in the Aesthetic Experience, Jeff Mitscherling (University of Guelph, Canada)
6. 8-Bit Mystique: An Ingardenian Aesthetic Analysis of the Appeal of Retro Computer Games, Matthew Gladden (Polish Academy of Sciences, Poland)
7. Roman Ingarden on Aesthetic Attention, Harri Mäcklin (University of Helsinki, Finland)
8. Time and its Indeterminacy in the Literary Work of Art, Charlene Elsby (University of Ottawa, Canada)
Notes on Contributors
Index
Part I: Ontology
1. Modes and Moments in Ingarden's Ontology, Peter Simons (Trinity College Dublin, Ireland)
2. Logical Modalities, Existential Moments, and Modes of Being: Some Reflections on Ingarden's Existential Ontology, Jan Wolenski (Jagiellonian University, Poland)
3. Questions Concerning Reality: Ingarden's Erotetic Path Towards Realism, Giuditta Corbella (Universit? Cattolica del Sacro Cuore, Italy)
4. 'Sound and/or tones? Scruton, Ingarden (. and Levinson) on musical aesthetics and ontology', Edward M. Swiderski (University of Fribourg, Switzerland)
Part II: Aesthetics
5. Lipps, Stein and Ingarden on Empathy and the Coexperiencing of Value in the Aesthetic Experience, Jeff Mitscherling (University of Guelph, Canada)
6. 8-Bit Mystique: An Ingardenian Aesthetic Analysis of the Appeal of Retro Computer Games, Matthew Gladden (Polish Academy of Sciences, Poland)
7. Roman Ingarden on Aesthetic Attention, Harri Mäcklin (University of Helsinki, Finland)
8. Time and its Indeterminacy in the Literary Work of Art, Charlene Elsby (University of Ottawa, Canada)
Notes on Contributors
Index
