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13% KEDVEZMÉNY?
- A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
- Kiadói listaár GBP 80.00
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Az ár azért becsült, mert a rendelés pillanatában nem lehet pontosan tudni, hogy a beérkezéskor milyen lesz a forint árfolyama az adott termék eredeti devizájához képest. Ha a forint romlana, kissé többet, ha javulna, kissé kevesebbet kell majd fizetnie.
- Kedvezmény(ek) 13% (cc. 5 263 Ft off)
- Discounted price 35 225 Ft (33 547 Ft + 5% áfa)
40 488 Ft
Beszerezhetőség
Megrendelésre a kiadó utánnyomja a könyvet. Rendelhető, de a szokásosnál kicsit lassabban érkezik meg.
Why don't you give exact delivery time?
A beszerzés időigényét az eddigi tapasztalatokra alapozva adjuk meg. Azért becsült, mert a terméket külföldről hozzuk be, így a kiadó kiszolgálásának pillanatnyi gyorsaságától is függ. A megadottnál gyorsabb és lassabb szállítás is elképzelhető, de mindent megteszünk, hogy Ön a lehető leghamarabb jusson hozzá a termékhez.
A termék adatai:
- Kiadó The Arden Shakespeare
- Megjelenés dátuma 2025. február 20.
- Kötetek száma Hardback
- ISBN 9781350437265
- Kötéstípus Keménykötés
- Terjedelem oldal
- Méret 216x138 mm
- Nyelv angol
- Illusztrációk 11 illus 689
Kategóriák
Hosszú leírás:
Encompassing a wide variety of genres, media and art forms across a broad historical scope, this open access book identifies central strategies of serialization in Shakespeare's plays and their adaptations.
Beginning with an introduction that theorizes the method of reading Shakespeare serially on page, stage and screen, the first section investigates Shakespeare himself as a serial writer and serial rewritings of Shakespeare by Joyce and Beckett. Shakespeare and Seriality then moves to a series of case studies of performative seriality from the early modern stage to theatre, film and ballet in the 20th and 21st centuries. It culminates in the analysis of adaptations of Shakespeare in complex TV series, including Succession, the postapocalyptic series Station Eleven and the cosy crime series Shakespeare and Hathaway. This book investigates Shakespeare's seriality from various theoretical perspectives and through multiple methods, including gender and queer theory, ecocriticism, memory and heritage studies, psychoanalysis, empathy studies and fandom studies, reception history and theatre history.
Examining serial reading as a method of establishing intertextual and intermedial links, this volume contributes to recent developments in adaptation studies including the debate between Shakespeare and 'not-Shakespeare'.
The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Centre of Cultural Inquiry (ZKF) and the Publication Fund of the University of Konstanz.
Tartalomjegyzék:
List of Illustrations
Notes on Contributors
Acknowledgments
Introduction: Theorizing Shakespeare's Seriality, Elisabeth Bronfen (University of Zurich, Switzerland) and Christina Wald (University of Konstanz, Germany)
I. Reading Shakespeare Serially: Shakespeare as a Serial Writer & Serial Rewritings of Shakespeare
1. Shakespeare's Serial Secrets, Elisabeth Bronfen (University of Zurich, Switzerland)
2. Shakespeare's Uneven Ends: The First Tetralogy as Historical Series, Carla Baricz (Yale University, USA)
3. The Desdemona effect: Empathy, retelling and seriality in Shakespeare's Othello, Aleida Assmann (University of Konstanz, Germany)
4. Shakespeare's Serial Legacies: Joyce and Beckett, Claudia Olk (Ludwig Maximilians University, Germany)
II. Performing Shakespeare Serially: Theatrical Serialization Effects
5. Falstaff, again: Configurations of Serial Memory in Early Modern Culture, Isabel Karremann (University of Zurich, Switzerland)
6. "Play it Again, Antony!": Performing Antony and Cleopatra as Julius Caesar's Sequel on Stage and Screen, Sarah Hatchuel (Université Paul Valéry, France)
7. "And they dance": Queering Shakespeare through Balletic Seriality, Jonas Kellermann (University of Konstanz, Germany)
III. Televising Shakespeare Serially: Shakespeare and complex TV Series
8. 'Is this the promised end?': Afterwards, airflows, and Shakespearean dissonant repetitions in HBO's Succession (2018-2023), Stephen O'Neill (Maynooth University, Republic of Ireland)
9. The Poacher Poached, or a Serial Repurposing of the Bard in Shakespeare & Hathaway: Private Investigators, Kinga Földváry (Pázmány Péter Catholic University, Hungary)
10. Serial Shakespeare after the end of the world: From repetition compulsions to the romance of recycling in Station Eleven, Christina Wald (University of Konstanz, Germany)
Index