A termék adatai:
ISBN13: | 9781108838009 |
ISBN10: | 1108838006 |
Kötéstípus: | Keménykötés |
Terjedelem: | 668 oldal |
Méret: | 235x158x42 mm |
Súly: | 1100 g |
Nyelv: | angol |
245 |
Témakör:
Nyomdaipar, kiadói tevékenység
Média- és kommunikációs ipar
Irodalomtudomány általában, referensz művek
Irodalomtörténet
Irodalomelmélet
Dráma
Angol nyelvű dráma
Nyomdaipar, kiadói tevékenység (karitatív célú kampány)
Média- és kommunikációs ipar (karitatív célú kampány)
Irodalomtudomány általában, referensz művek (karitatív célú kampány)
Irodalomtörténet (karitatív célú kampány)
Irodalomelmélet (karitatív célú kampány)
Dráma (karitatív célú kampány)
Angol nyelvű dráma (karitatív célú kampány)
Shakespeare in Print
A History and Chronology of Shakespeare Publishing
Kiadás sorszáma: 2, Revised
Kiadó: Cambridge University Press
Megjelenés dátuma: 2021. május 13.
Normál ár:
Kiadói listaár:
GBP 116.00
GBP 116.00
Az Ön ára:
48 720 (46 400 Ft + 5% áfa )
Kedvezmény(ek): 20% (kb. 12 180 Ft)
A kedvezmény érvényes eddig: 2024. december 31.
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
Kattintson ide a feliratkozáshoz
Kattintson ide a feliratkozáshoz
Beszerezhetőség:
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Rövid leírás:
Brings the history of Shakespeare publishing vividly to life, from the earliest print editions to the latest digital texts.
Hosszú leírás:
Described by the TLS as 'a formidable bibliographical achievement ... destined to become a key reference work for Shakespeareans', Shakespeare in Print is now issued in a revised and expanded edition offering a wealth of new material, including a chapter which maps the history of digital editions from the earliest computer-generated texts to the very latest digital resources. Murphy's narrative offers a masterful overview of the history of Shakespeare publishing and editing, teasing out the greater cultural significance of the ways in which the plays and poems have been disseminated and received over the centuries from Shakespeare's time to our own. The opening chapters have been completely rewritten to offer close engagement with the careers of the network of publishers and printers who first brought Shakespeare to print, additional material has been added to all chapters, and the chronological appendix has been updated and expanded.
'Andrew Murphy's Shakespeare in Print was already a decisive, even-handed, knowledgeable and smart survey of publishing Shakespeare over four centuries. This second edition is even better. In a testament to the energy of this field, and his own immersion in it, Murphy has substantially recast his work - not just by adding a necessary and revealing chapter on digital Shakespeares and the fascinating story of nineteenth-century editions in the formation of twenty-first century technologies. In addition, Shakespeare in Print has revisited and revised earlier parts of the story, drawing on new scholarship about Shakespeare's stationers and early print history, on what parts of the 'new textualism' have been mainstreamed into editing and what elements of the New Bibliography still hold sway, and on the relative importance of debates about authorial revision and collaboration. The result is a brilliant collation of scholarship on textual history, the history of print and publishing, and the impact of the social, cultural, and biographical on editing Shakespeare. In a field sometimes characterised by heat rather than light, it is luminescent: a wonderful book, like no other.' Emma Smith, University of Oxford
'Andrew Murphy's Shakespeare in Print was already a decisive, even-handed, knowledgeable and smart survey of publishing Shakespeare over four centuries. This second edition is even better. In a testament to the energy of this field, and his own immersion in it, Murphy has substantially recast his work - not just by adding a necessary and revealing chapter on digital Shakespeares and the fascinating story of nineteenth-century editions in the formation of twenty-first century technologies. In addition, Shakespeare in Print has revisited and revised earlier parts of the story, drawing on new scholarship about Shakespeare's stationers and early print history, on what parts of the 'new textualism' have been mainstreamed into editing and what elements of the New Bibliography still hold sway, and on the relative importance of debates about authorial revision and collaboration. The result is a brilliant collation of scholarship on textual history, the history of print and publishing, and the impact of the social, cultural, and biographical on editing Shakespeare. In a field sometimes characterised by heat rather than light, it is luminescent: a wonderful book, like no other.' Emma Smith, University of Oxford
Tartalomjegyzék:
List of Illustrations; List of Tables; Preface; Acknowledgements; List of Abbreviations; Part I: Text; Introduction; 1. Bringing Shakespeare to Print; 2. Collecting Shakespeare; 3. The Tonson Era 1: Rowe to Warburton; 4. The Tonson Era 2: Johnson to Malone; 5. Copyright Disputes: English Publishers; 6. Copyright Disputes: Scottish and Irish Publishers; 7. American Editions; 8. Nineteenth-Century Popular Editions; 9. Nineteenth-Century Scholarly Editions; 10. The New Bibliography; 11. Shakespeare in the Modern Era; 12. Shakespeare Beyond Print; Part II: Introduction to the Chronological Appendix; Chronological Appendix; Index 1: By Play/Poem Title; Index 2: By Series/Edition Title; Index 3: By Editor/Creator; Index 4: By Publisher/Printer/Host; Index 5: By Place of Publication (excluding London); Notes; Bibliography; Main Index.