Shot on Location
Postwar American Cinema and the Exploration of Real Place
Sorozatcím: Techniques of the Moving Image;
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16 195 Ft
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A termék adatai:
- Kiadó Rutgers University Press
- Megjelenés dátuma 2016. február 18.
- Kötetek száma Paperback
- ISBN 9780813564081
- Kötéstípus Puhakötés
- Lásd még 9780813564098
- Terjedelem296 oldal
- Méret 235x156x15 mm
- Súly 516 g
- Nyelv angol
- Illusztrációk 31 photographs 0
Kategóriák
Rövid leírás:
Renowned film scholar R. Barton Palmer explores the historical, ideological, economic, and technical developments that led Hollywood filmmakers of the late 1940s and 1950s to increasingly head outside the studio and capture footage of real places. Examining works ranging from Sunset Blvd. to The Searchers, Shot on Location discovers the massive influence that wartime newsreels had on the postwar Hollywood film, as the blurring of the formal boundaries between cinematic journalism and fiction lent a “reality effect” to otherwise implausible stories.
Hosszú leírás:
In the early days of filmmaking, before many of Hollywood’s elaborate sets and soundstages had been built, it was common for movies to be shot on location. Decades later, Hollywood filmmakers rediscovered the practice of using real locations and documentary footage in their narrative features. Why did this happen? What caused this sudden change?
Renowned film scholar R. Barton Palmer answers this question in Shot on Location by exploring the historical, ideological, economic, and technological developments that led Hollywood to head back outside in order to capture footage of real places. His groundbreaking research reveals that wartime newsreels had a massive influence on postwar Hollywood film, although there are key distinctions to be made between these movies and their closest contemporaries, Italian neorealist films. Considering how these practices were used in everything from war movies like Twelve O’Clock High to westerns like The Searchers, Palmer explores how the blurring of the formal boundaries between cinematic journalism and fiction lent a “reality effect” to otherwise implausible stories.
Shot on Location describes how the period’s greatest directors, from Alfred Hitchcock to Billy Wilder, increasingly moved beyond the confines of the studio. At the same time, the book acknowledges the collaborative nature of moviemaking, identifying key roles that screenwriters, art designers, location scouts, and editors played in incorporating actual geographical locales and social milieus within a fictional framework. Palmer thus offers a fascinating behind-the-scenes look at how Hollywood transformed the way we view real spaces.
Renowned film scholar R. Barton Palmer answers this question in Shot on Location by exploring the historical, ideological, economic, and technological developments that led Hollywood to head back outside in order to capture footage of real places. His groundbreaking research reveals that wartime newsreels had a massive influence on postwar Hollywood film, although there are key distinctions to be made between these movies and their closest contemporaries, Italian neorealist films. Considering how these practices were used in everything from war movies like Twelve O’Clock High to westerns like The Searchers, Palmer explores how the blurring of the formal boundaries between cinematic journalism and fiction lent a “reality effect” to otherwise implausible stories.
Shot on Location describes how the period’s greatest directors, from Alfred Hitchcock to Billy Wilder, increasingly moved beyond the confines of the studio. At the same time, the book acknowledges the collaborative nature of moviemaking, identifying key roles that screenwriters, art designers, location scouts, and editors played in incorporating actual geographical locales and social milieus within a fictional framework. Palmer thus offers a fascinating behind-the-scenes look at how Hollywood transformed the way we view real spaces.
“A tremendously important advance in our understanding of landscape, cityscape, and place in postwar American cinema, among the most innovative current work in film and media studies, American studies, English literature, and cultural geography.”
Több
Tartalomjegyzék:
Preface
Acknowledgments
Introduction: Real History, Real Cinema
1. Filming the Transitory World We Live In
2. The Postwar Turn toward the Real
3. Of Backdrops and Place: The Searchers and Sunset Blvd.
4. An American Neorealism?
5. Noir on Location
6. Ramparts We Watch: Legacies
Conclusion: Authentic Banality
Notes
Index
Acknowledgments
Introduction: Real History, Real Cinema
1. Filming the Transitory World We Live In
2. The Postwar Turn toward the Real
3. Of Backdrops and Place: The Searchers and Sunset Blvd.
4. An American Neorealism?
5. Noir on Location
6. Ramparts We Watch: Legacies
Conclusion: Authentic Banality
Notes
Index
