A termék adatai:
ISBN13: | 9781839025419 |
ISBN10: | 1839025417 |
Kötéstípus: | Puhakötés |
Terjedelem: | 120 oldal |
Méret: | 190x135 mm |
Nyelv: | angol |
Illusztrációk: | 60 colour illus |
577 |
Témakör:
The Deer Hunter
Sorozatcím:
BFI Film Classics;
Kiadó: British Film Institute
Megjelenés dátuma: 2023. szeptember 7.
Kötetek száma: Paperback
Normál ár:
Kiadói listaár:
GBP 12.99
GBP 12.99
Az Ön ára:
5 456 (5 196 Ft + 5% áfa )
Kedvezmény(ek): 20% (kb. 1 364 Ft)
A kedvezmény érvényes eddig: 2024. december 31.
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
Kattintson ide a feliratkozáshoz
Kattintson ide a feliratkozáshoz
Beszerezhetőség:
Megrendelésre a kiadó utánnyomja a könyvet. Rendelhető, de a szokásosnál kicsit lassabban érkezik meg.
Nem tudnak pontosabbat?
Hosszú leírás:
Michael Cimino's The Deer Hunter was met with both critical and commercial success upon its release in 1978. However, it was also highly controversial and came to be seen as a powerful statement on the human cost of America's longest war and as a colonialist glorification of anti-Asian violence.
Brad Prager's study of the film considers its significance as a war movie and contextualizes its critical reception. Drawing on an archive of contemporaneous materials, as well as an in-depth analysis of the film's lighting, mise-en-sc?ne, multiple cameras and shifting depths of field, Prager examines how the film simultaneously presents itself as a work of cinematic realism, while problematically blurring the lines between fact and fiction. While Cimino felt he had no responsibility to historical truth, depicting a highly stylized version of his own fantasies about the Vietnam War, Prager argues that The Deer Hunter's formal elements were used to bolster his troubling depictions of war and race.
Finally, comparing the film with later depictions of US-led intervention such as Albert and Allen Hughes's Dead Presidents (1995) and Spike Lee's Da Five Bloods (2020), Prager illuminates The Deer Hunter's major presumptions, blind spots and omissions, while also presenting a case for its classic status.
Brad Prager's study of the film considers its significance as a war movie and contextualizes its critical reception. Drawing on an archive of contemporaneous materials, as well as an in-depth analysis of the film's lighting, mise-en-sc?ne, multiple cameras and shifting depths of field, Prager examines how the film simultaneously presents itself as a work of cinematic realism, while problematically blurring the lines between fact and fiction. While Cimino felt he had no responsibility to historical truth, depicting a highly stylized version of his own fantasies about the Vietnam War, Prager argues that The Deer Hunter's formal elements were used to bolster his troubling depictions of war and race.
Finally, comparing the film with later depictions of US-led intervention such as Albert and Allen Hughes's Dead Presidents (1995) and Spike Lee's Da Five Bloods (2020), Prager illuminates The Deer Hunter's major presumptions, blind spots and omissions, while also presenting a case for its classic status.
Tartalomjegyzék:
Acknowledgments
Introduction
1. Realism and Truth
2. Mountains and Fog
3. "There's Rats in Here"
4. Coming Home
5. "God Bless America"
Conclusion
Notes
Credits
Bibliography
Introduction
1. Realism and Truth
2. Mountains and Fog
3. "There's Rats in Here"
4. Coming Home
5. "God Bless America"
Conclusion
Notes
Credits
Bibliography