A termék adatai:
ISBN13: | 9781350469921 |
ISBN10: | 13504699211 |
Kötéstípus: | Puhakötés |
Terjedelem: | oldal |
Méret: | 228x152 mm |
Nyelv: | angol |
Illusztrációk: | 48 colour and 20 bw illus |
669 |
Témakör:
Építészet
Régiségek, dísztárgyak, műkereskedelem
Gyűjtőknek
Építészet
További képzőművészeti ágak
Kulturális tanulmányok
Építészet (karitatív célú kampány)
Régiségek, dísztárgyak, műkereskedelem (karitatív célú kampány)
Gyűjtőknek (karitatív célú kampány)
Építészet (karitatív célú kampány)
További képzőművészeti ágak (karitatív célú kampány)
Kulturális tanulmányok (karitatív célú kampány)
The Material Landscapes of Scotland?s Jewellery Craft, 1780-1914
Sorozatcím:
Material Culture of Art and Design;
Kiadó: Bloomsbury Visual Arts
Megjelenés dátuma: 2024. július 11.
Kötetek száma: Paperback
Normál ár:
Kiadói listaár:
GBP 19.99
GBP 19.99
Az Ön ára:
8 177 (7 788 Ft + 5% áfa )
Kedvezmény(ek): 20% (kb. 2 044 Ft)
A kedvezmény érvényes eddig: 2024. december 31.
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
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Hosszú leírás:
Shortlisted for the History Book Award in Scotland's National Book Awards, 2023
During the long 19th century, Scotland was home to an established body of skilled jewellers who were able to access a range of materials from the country's varied natural landscape: precious gold and silver; sparkling crystals and colourful stones; freshwater pearls, shells and parts of rare animals.
Following these materials on their journey from hill and shore, across the jeweller's bench and on to the bodies of wearers, this book challenges the persistent notion that the forces of industrialisation led to the decline of craft. It instead reveals a vivid picture of skilled producers who were driving new and revived areas of hand skill, and who were key to fostering a focused cultural engagement with the natural world - among both producers and consumers - through the things they made. By placing producers
and their skill in cultural context, it provides new and multifaceted insights into the wider transformations that marked British history during the long 19th century.
Uniting an array of jewellery objects with a range of other sources - including paintings, newspaper reports, inventories of big houses and small workshops, works of literary geology and early travel writings - it sets out innovative methodologies for writing about the histories of craft production, the natural environment and the material world. Now available in a paperback edition, it will be an important addition to the bookshelf of cultural historians and those interested in Scotland's wild landscapes and natural objects.
During the long 19th century, Scotland was home to an established body of skilled jewellers who were able to access a range of materials from the country's varied natural landscape: precious gold and silver; sparkling crystals and colourful stones; freshwater pearls, shells and parts of rare animals.
Following these materials on their journey from hill and shore, across the jeweller's bench and on to the bodies of wearers, this book challenges the persistent notion that the forces of industrialisation led to the decline of craft. It instead reveals a vivid picture of skilled producers who were driving new and revived areas of hand skill, and who were key to fostering a focused cultural engagement with the natural world - among both producers and consumers - through the things they made. By placing producers
and their skill in cultural context, it provides new and multifaceted insights into the wider transformations that marked British history during the long 19th century.
Uniting an array of jewellery objects with a range of other sources - including paintings, newspaper reports, inventories of big houses and small workshops, works of literary geology and early travel writings - it sets out innovative methodologies for writing about the histories of craft production, the natural environment and the material world. Now available in a paperback edition, it will be an important addition to the bookshelf of cultural historians and those interested in Scotland's wild landscapes and natural objects.
Tartalomjegyzék:
Introduction: Revealing Craft: Fusing Nature and Culture
Chapter 1: Making Things: In the Jewellery Workshop
Chapter 2: New-Old Objects: Deconstructing and Reconstructing the Past
Chapter 3: Metals: Landscape and Memory in Gold and Silver
Chapter 4: Minerals: Crafting Colour Worlds in Stone
Chapter 5: (Un)Living Things: Material Afterlives in Pearls, Shells and Taxidermy
Bibliography
Index
Chapter 1: Making Things: In the Jewellery Workshop
Chapter 2: New-Old Objects: Deconstructing and Reconstructing the Past
Chapter 3: Metals: Landscape and Memory in Gold and Silver
Chapter 4: Minerals: Crafting Colour Worlds in Stone
Chapter 5: (Un)Living Things: Material Afterlives in Pearls, Shells and Taxidermy
Bibliography
Index